| Social Capital and Cultural Participation: Spousal Influences on Attendance at Arts Events |
2004-01 |
32 |
Z11 |
|
false |
View |
| Have Americans' Attitudes Become More Polarized? an Update |
2002-05 |
24 |
D72 |
|
false |
View |
| Information Inequality and Network Externalities: A Comparative Study of the Diffusion of Television and the Internet |
2003-10 |
31 |
Z11, L86, L82 |
Television; Internet |
false |
View |
| Nonprofit Organizations and the Intersectoral Division of Labor in the Arts |
2003-10 |
30 |
Z11, J08 |
|
false |
View |
| Who Killed the Travelin' Soldier: Elites, Masses, and Blacklisting of Critical Speakers |
2003-05 |
26 |
Z11, L82 |
|
false |
View |
| The Measure of Meetings: Forums, Deliberation, and Cultural Policy |
2003-10 |
28 |
Z11 |
|
false |
View |
| Culture, Conflict and Community: Rituals of Protest or Flairs of Competition |
2002-10 |
23 |
Z11 |
|
false |
View |
| A Study of the Choreographer/Composer Collaboration |
2002-10 |
22 |
Z11 |
Dance; Music |
false |
View |
| Creative Assets and the Changing Economy |
2002-10 |
21 |
Z11 |
|
false |
View |
| How the Arts Impact Communities: An introduction to the literature on arts impact studies |
2002-06 |
20 |
Z11 |
|
false |
View |
| Studies of Artists: An Annotated Directory |
2000-07 |
12 |
Z11 |
|
false |
View |
| Digital Technology and Cultural Policy |
2001-10 |
19 |
Z11, L86 |
|
false |
View |
| Don't Confuse a Tool with a Goal: Making Information Technology Serve Higher Education, Rather Than the Other Way Around |
2001-07 |
18 |
L86, I23 |
|
false |
View |
| From the 'Digital Divide' to 'Digital Inequality': Studying Internet Use as Penetration Increases |
2001-07 |
15 |
Z11, L86 |
Digital divide, Internet, World Wide Web, computer use, social inequality |
false |
View |
| American Identity and Public Opinion: How What it Means to be an American Influences Language Policy Preferences |
2000-07 |
14 |
Z11 |
|
false |
View |
| Zeus in Exile: Archaeological Restitution as Politics of Memory |
2000-07 |
13 |
Z11 |
|
false |
View |
| Public Attitudes Towards Cultural Authority and Cultural Diversity in Higher Education and the Arts |
2000-05 |
11 |
Z11, I23 |
|
false |
View |
| Open Portals or Closed Gates? Channeling Content on the World Wide Web |
2000-05 |
10 |
Z11, L86 |
|
false |
View |
| Sustaining the Public Good Vision of the Internet: The Politics of Search Engines |
1999-10 |
9 |
Z11, L86 |
|
false |
View |
| Unfamiliar Objects in Familiar Spaces: The Public Response to Art-in-Architecture |
1999-03 |
8 |
Z11 |
|
false |
View |
| Public Opinion and Political Vulnerability: Why Has the National Endowment for the Arts Been Such an Attractive Target? |
1999-01 |
7 |
Z11 |
|
false |
View |
| Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys |
1997-08 |
5 |
Z11 |
|
false |
View |
| Making Sense of the Numbers: Estimating Arts Participation in America |
1998-01 |
4 |
Z11 |
General Social Survey, GSS, Survey of Public Participation in the Arts, SPPA |
false |
View |
| Resources for Studying Public Participation in the Arts: Inventory and Review of Available Survey Data on North Americans' Participation in and Attitudes Towards the Arts |
1997-02 |
2 |
Z11 |
|
false |
View |
| Social Implications of the Internet |
2001-07 |
17 |
Z11, L86 |
World Wide Web, communications, media, technology, Internet |
false |
View |
| The Role of Religion in Public Conflicts over the Arts in the Philadelphia Area, 1965-1997 |
2000-07 |
16 |
Z11, Z12, N32 |
Philadelphia, Pennsylvania |
false |
View |
| Data on Arts Organizations: A Review and Needs Assessment, with Design Implications |
1996-10 |
1 |
Z11 |
|
false |
View |
| A New Framing? Constitutional Representation at Philadelphia's National Constitution Center |
2007-10 |
34 |
Z11 |
|
false |
View |
| Moving Immovables: How culinary and performative kinesthetics choreograph space in Cuba and Brazil |
2007-10 |
35 |
Z11 |
Cuba, Brazil |
false |
View |
| Like It Was a Movie: Cinematic Listening as Public Art |
2008-10 |
36 |
Z11, L82 |
Film, Motion Pictures |
false |
View |
| The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US |
2009-01 |
37 |
Z11, L82, N85 |
Manga, comics, foreign influences, Japan |
false |
View |
| Rules of Engagement: Architecture Theory and the Social Sciences in Frank Duffy's 1974 Thesis on Office Planning |
2009-07 |
39 |
Z11, R21, O51, N92, I23 |
architectural theory, office space, planning, architectural education |
false |
View |
| Heritage Kinaesthetics: Local Constructivism of UNESCO's Intangible-Tangible Politics at a Favela Museum |
2009-05 |
38 |
Z11, D02, L83 |
tangible and intangible cultural heritage, cultural policy, tourism, museum, space and place, social development, Brazil |
false |
View |
| Omnivores Versus Snobs? Musical Tastes in the United States and France |
2010-07 |
40 |
Z11, D12, H31, O52 |
aesthetic tastes, distinction, omnivorousness, France, Survey of Public Participation in the Arts, Enquete sur les Pratiques Culturelles des Francais |
false |
View |
| Acoustic Projection and the Politics of Sound |
2010-07 |
41 |
Z11 |
music, authority, loudspeaker, ammpliication |
false |
View |
| Gender and Highbrow Cultural Participation in the United States |
2010-11 |
42 |
D01, J16, L82, Z11 |
Survey of Public Participation in the Arts, gender, cultural choice, participation in high-status cultural activities, women, men |
false |
View |
| From the Pulps to the Stars: The Making of the American Science Fiction Magazine, 1923-1973 |
2011-10 |
44 |
Z11 |
genre trajectory, cultural legitimation, science fiction, popular science, historical sociology, social movements |
false |
View |
| Nature, Architecture, National Regeneration:The Airing Out of French Youth in Open-Air Schools 1918-1939 |
2011-11 |
45 |
I18, I28, J15, N34, Z11 |
France, youth, young people, schooling, race |
false |
View |
| The Stories of Serenade: Nonprofit History and George Balanchine's First Ballet in America |
2010-01 |
46 |
Z11 |
ballet, history, United States, Balachine |
false |
View |
| Birth of the Auteur: How the Studio Production Process Kept the Director both In and Under Control |
2012-05 |
47 |
Z11, L82 |
Hollywood, movie business, film, creative control |
false |
View |
| Spirit in the Flesh: Physical Engagement and the Creation of Meaning |
2012-10 |
48 |
Z11 |
video art, music, multimedia |
false |
View |
| Our Ancestors, Our Heroes: Saudi Tribal Campaigns to Suppress Historical Docudramas |
2012-07 |
49 |
Z11, Z12, N15, L82 |
Saudi Arabia, movies, television, drama, history |
false |
View |
| The Influence of Ownership on the Valence of Media Content: The Case of Movie Reviews |
2011-11 |
27 |
Z11, L82 |
|
false |
View |
| From Unequal Access to Differentiated Use: A Literature Review and Agenda for Research on Digital Inequality |
2003-10 |
29 |
Z11, L86 |
|
false |
View |